The August reviews of the journal American Ethnologist are now online.
Among them we’ll find:
Mapping Yoruba Networks: Power and Agency in the Making of Transnational Communities. By: Kamari Maxine Clarke
Kamari Clarke is an Afro-Canadian who joins several African American anthropologists in examining how Africa and African heritage are understood by contemporary African American communities. Clarke exemplifies the best of 21st-century anthropology as she offers an insider’s sympathy without romanticism, step-back objectivity without arrogance. Clarke presents multisited research among “Yoruba” and Yoruba in South Carolina and Nigeria. >> continue
British Subjects: An Anthropology of Britain. Edited by Nigel Rapport
The articles address a wide range of topics, including the royal family (Anne Rowbottom), the London ballet (Helena Wulff), the postindustrial landscape of a former mining village (Andrew Dawson), British Quakers (Peter Collins), and Rapport’s own literarily inflected work on the worldview from a British village. The collection reflects a view of Britain as largely white, tranquil, and middle class >> continue
Racial Revolutions: Antiracism and Indian Resurgence in Brazil. By Jonathan W. Warren
Jonathan Warren examines the shift in which people who might once have claimed mixed-race status instead reconstruct themselves as “post-traditional” Indians. Simply because Warren explores qualitatively Brazil’s contemporary indigenous resurgence, Racial Revolutions is a must read. >> continue
Latino Crossings: Mexicans, Puerto Ricans, and the Politics of Race and Citizenship. By Nicholas De Genova and Anna Y. Ramos-Zayas
This book represents a unique collaboration between two anthropologists who did fieldwork separately in Chicago during the 1990s. >> continue
Right to Rock: The Black Rock Coalition and the Cultural Politics of Race. By Maureen Mahon
Right to Rock focuses on the Black Rock Coalition (BRC), founded in 1985 as a network of African American musicians “sick and tired of being sick and tired” from the frustration of racial segregation within the music industry. >> continue