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How scholars in the Middle East developed anthropology more than 1000 years ago

Anthropology emerged in a relatively high scientific level in the wider Middle East before it existed as a discipline in the West. Therefore, the label of colonialism often coupled to its emergence must be removed.

This is the main point of an article by Hassen Chaabani in the recent issue of the International Journal of Modern Anthropology.

Although the beginning of the development of anthropology as a discipline is originated in colonial encounter between Western people and colonized peoples and, therefore, coupled to its use in favor of extremist ideologies such as racism, this must not diminish the scientific value of anthropology, he writes.

You won't find many anthropology departments at universities in the Middle East, and its reputation might not be the best. So therefore this article mind be a timely reminder that anthropology has not been a dubious invention by the West. Chaabani sees "the prestige and hegemony of some editors and publishers in some powerful countries" as "one of the factors that could inhibit the development of a real global anthropology".

Hassen Chaabani, who is is president of the Tunisian Anthropological Association, draws our attention to two scholars: Abu Rayhan al- Biruni, a Persian scholar (973-1048) and Ibn Khaldoun, a Tunisian scholar (1332-1406).

Abu Rayhan al-Biruni, he writes, "is considered as one of the greatest scientists not only of the 11th century but of all times". He is most commonly known as a mathematician, astrologer, and historian. But he has also been an anthropologist:

He founded the science of anthropology before anthropology existed as a discipline, and therefore he is considered as the first anthropologist. He was an impartial writer on custom and creeds of various nations and was the first Muslim scholar to study Indian populations and their traditions. In addition he wrote detailed comparative studies on the anthropology of religions and cultures in the Middle East, Mediterranean and especially South Asia. (…)

Living during the high period of Islamic cultural and scientific achievements, Al-Biruni placed a focus on modern anthropological interests including caste, the class system, rites and customs, cultural practice, and women’s issues (Akbar, 2009). Through this modern practice, Al-Biruni used the concepts of cross cultural comparison, inter-cultural dialogue and phenomenological observation which have become commonplace within anthropology today (Ataman K., 2005).

Biruni's tradition of comparative cross-cultural study continued in the "Muslim world" through to Ibn Khaldoun’s work in the 14th century, Chaabani writes:

Some of his books cover the history of mankind up to his time and others cover the history of Berber peoples, natives of North Africa, which remain invaluable to present day historians, as they are based on Ibn Khaldūn's personal knowledge of the Berbers. In fact, he presented a deep anthropological study of Berbers before anthropology existed as a discipline.

Chaabani also writes that the general idea of biological evolution was advanced more than 1,000 years before Darwin by the Iraqi thinker Amr ibn Bahr Al Jahis (800-868) in his book "Book of Animals".

> > read the whole article (pdf)

Who was the first anthropologist? Really al-Biruni? A tricky question. Others might point to Classical Greece and Classical Rome, see more in Wikipedia: History of Anthropology (where al-Biruni is mentoned as well). The main point as I see it is that anthropology was developed in many parts of the world, and not only in the so-called West.

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The Five Major Challenges for Anthropology

Anthropology emerged in a relatively high scientific level in the wider Middle East before it existed as a discipline in the West. Therefore, the label of colonialism often coupled to its emergence must be removed.

This is the main point of…

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What the burial of a 4 year old boy says about daily life more than 24 000 years ago

Antropologi.info is mainly about social anthropology. So, maybe now it’s time to get inspired by a paper from a neighbouring discipline – archaeology. Lukas Loeb has sent me this paper that he’d like to share with others: The Human Burial of the Abrigo Lagar Velho Child. An analysis of human burial and the understanding of social relations and ancient society.

Loeb is currently a student in the Social Science and Economy Department at the University of Agder, Norway. The paper was written as a part of an anthropology course he took at the University of British Columbia, Canada, in 2009/2010. The course, an Introduction to World Archaeology, provided a survey of world archeology from the emergence of humankind to the beginning of state societies.

What is your essay about, Lukas Loeb?

– My essay is about the human burial of the Abrigo Lagar Velho Child, and the introduction of modern humans in Europe. How we can use a single burial to discover ancient cultures and study their social life by the burial itself and the tools and vegetation surrounding it?

In your email to me, you wrote this is an important topic that you’d like to share with others. Why?

– Many say that the Neanderthals disappeared from Europe because the continent were overtaken by modern humans. My essay discusses the important topic of the modern humans and Neanderthals interacted and that there were some sort of gene flow between these two human species.

Is this discussion also relevant for cultural-  and social anthropologists?

– I would say that this discussion is both important and relevant for both cultural- and social anthropologists, this essay discusses and analyzes the burial itself and how it reflects to the religion, social life, hierarchy and status that was present 24,500 BP.
 
As a bonus: Some links for those who want to know more about your topic?

João Zilhão: Fate of the Neandertals (archaeology.org)

Lagar Velho – the Hybrid Child from Portugal (donsmaps.org)

João Zilhão and Erik Trinkaus (ed): Portrait of the Artist as a Child. The Gravettian Human Skeleton from the Abrigo do Lagar Velho and its Archeological Context (scribd.com)

Thanks for this short interview!

Download the paper (pdf, 421kb)

Antropologi.info is mainly about social anthropology. So, maybe now it's time to get inspired by a paper from a neighbouring discipline - archaeology. Lukas Loeb has sent me this paper that he'd like to share with others: The Human…

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Book review: The deep footprints of colonial Bombay


Three Women of Mumbai. Photo: Steve Evans, flickr

Antropologi.info book reviewer Tereza Kuldova has read another book for us.

“One wonders how little has changed”, she writes in her review of The Making of an Indian Metropolis: Colonial Governance and Public Culture in Bombay, 1890-1920 by historian Prashant Kidambi. The book is in her opinion “a great read also for any urban anthropologist, not only for historians who are the main target group”.

—-

The deep footprints of colonial Bombay

Review: Kidambi, Prashant. 2007. The Making of an Indian Metropolis: Colonial Governance and Public Culture in Bombay, 1890-1920. Ashgate

Tereza Kuldova, Ph.D. student in social anthropology, University of Oslo

At times, when you read about old Bombay, about the ‘lost’ times when ‘Bombay’ was not ‘Mumbai’, you are faced with idealized narratives of a golden era, now long gone and mourned. A picture of Bombay is painted in which people of diverse religions, classes, castes and live harmoniously together; it is a picture of a conflict-free era, where rules and obligations are followed and mutual respect prevails.

It is then only refreshing to read an account of colonial Bombay (1890-1920) that confronts us with a much more realistic picture. A picture of Bombay struck by two global pandemics, as well as by episodes of collective violence. A picture of Bombay, where the ruling elites try to handle the ‘unintended city’ – a result of industrialization and intense immigration – and its issues of sanitation, slums, famine, plague, riots, order and criminality.

Divided by caste, class and religion

Reading Kidambi’s account, it becomes obvious that, as he himself says, the imagined ‘ideal’ Bombay is “essentially an exercise in ‘historical fantasy’ that elides over the extent to which the city has always been divided by caste, class and religion” (236). If one has some knowledge of contemporary Mumbai, reading this book makes one realize how little has changed and how deep footprints have the colonial rule left in today’s Mumbai.

Prashant Kidambi’s inquiry into the urban history of Bombay manages to grasp the dynamics of urban change at the same time as it catches the reader’s attention – and that even though the wealth of historical detail can be overwhelming. 

He focuses on three decades in which, in his own words, “the city was restructured in accordance with the dictates of modern urban planning and intrusive modes of governance were deployed in response to the challenges posed by rapid industrialization and massive labor migration” and in which “the city became the site of a vigorous associational culture and ‘modernizing’ social activism that infused its civil society with new dynamism” (p. 9). 

Prashant Kidambi argues, that the city was a ‘contested terrain’, shaped as much by acts of resistance as by the operations of power (p. 12).  Contrary to the “widely entrenched perception that the norms and practices of civil society were solely internalized by the Anglophone intelligentsia and were more or less alien to the cultural worldview and dispositions of the lower orders” (p. 14), the lower strata of society actually took part in the associational civility, the civil society of the emerging Bombay (pp. 157-202).

An interesting part of the book, particularly for an anthropologist such as me, is the discussion of the urban middle class formation in colonial India in relation to the concepts of ‘social reform’ and ‘social service’ and the way in which middle class became formed by these practices.

The distinction between ‘social reform’ and ‘social service’ is I believe useful in this respect.  Kidambi argues that “while ‘social reform’ during the late nineteenth century had largely denoted the internal attempts at ‘self-improvement’ within particular castes and communities, the emergent discourse and practice of ‘social service’ articulated by members of the high-status Anglophone intelligentsia was directed at the destitute, the downtrodden and the disadvantaged” (p. 15).

A leading cosmopolitan commercial center

Kidambi’s account of the colonial Bombay is centered around several topics. Firstly he introduces the reader to the rising city of Bombay, a city that had by 1860 “become, after New York and Liverpool, the largest cotton market in the world” (p. 18) and that “by the last decade of the nineteenth century (…) could justifiably lay claim to being a leading commercial and financial center” (p. 23), where a “highly cosmopolitan culture amongst the business elites” (p. 24) developed. At that time “Bombay was also home to a nascent, but dynamic, English-educated Indian middle class comprising lawyers, doctors, engineers, businessmen, journalists, teachers and clerks employed in mercantile and government offices. This middle class was a product of colonial policies that dated back to the second quarter of the nineteenth century” (p. 26). 

The growth of Bombay as a business and industrial center also “attracted a large, predominantly male, proletarian population”, which “found employment in the cotton-textile industry” (p. 29). However, the “city’s modernization had resulted in ‘two Bombays’, the one inhabited by a cosmopolitan elite that nestled in the fashionable enclaves of the city, the other full of chawls, crowded, insanitary, ill-ventilated slums and filthy lanes, stables and godowns” (p. 36). (One wonders here, how little has changed, when in today’s Mumbai 95% of its population lives on 5% of its space and the richest 5% occupies 95% of the land).

Diseases and segregation: Urban poor as threat

Overcrowding, slums, sanitary issues, disease, increased criminality, all these were the issues that increasingly kept the colonial administration preoccupied. And in 1896 this was only to get more intense as the plague epidemic attacked Bombay. 

The plague and its handling by the administration becomes another interesting topic. Kidambi argues that “for nearly a decade after the initial outbreak in the city, long-standing assumptions that viewed epidemic diseases as a product of locality-specific conditions of filth and squalor exercised significant influence over the colonial state’s war against plague” (p. 50).

These localist perceptions meant that the policies were aimed at sanitary regeneration of the city, cleaning of the infected areas, their evacuation or eventual demolition. Furthermore a notion that Kidambi labels as “contingent contagionism” has developed, which could be summarized as follows: “If plague was a disease either generated by, or nurtured in, filth and squalor, many officials argued, it followed that Bombay’s poor who resided in ill-ventilated, overcrowded tenements would be more susceptible to its ravages. This, in turn, buttressed the belief that it was the poor, rather than the ‘respectable’ classes, who were the ‘natural’ bearers of contagion” (p. 64). “Consequently, the colonial state’s antiplague offensive was in large measure directed at segregating the urban poor, who were perceived as posing threat to the physical well-being of Bombay’s elites” (p. 70). 


Shadow City – Dharavi, Mumbai. Photo: Akshay Mahajan, flickr

The next chapter deals with the Bombay Improvement Trust (1898), which was meant as a solution to the sanitary problems of the city; it dealt with the issues of town-planning, slum clearance, tried to expand the city’s residential area and provide sanitary housing for the poor.

Kidambi concludes that “(b)y the end of the First World War, it was widely acknowledged that the Bombay Improvement Trust failed to redress the civic problems that had led to its creation. On the contrary, most contemporary observers agreed that the Trust’s activities had worsened Bombay’s housing and sanitary problems” (p. 112).  However, “notwithstanding the Trust’s failure to carry out the tasks for which it had been established, its policies has profound, albeit unintended, consequences for the development of Bombay’s spatial organization and social geography” (p. 113).

The emerging importance of the ‘street’

Kidambi goes on to discuss colonial policing strategies and control and regulation of the urban spaces and the perceived threats to urban ‘order’, particularly after the experience of two major riots in the 1890s. He presents an interesting discussion of the emerging importance of the ‘street’ and the life of and on the street and in neighborhoods.

“The street was the principal locus of working-class social life and recreational activities ranging from akharas (gymnasia) and tamashas (street theatre) to the liquor shops where many workers congregated after work” (p. 121). 

He concludes that in the 1890s “the traditional colonial strategy of ‘indirect’ control began to give way to a more intrusive approach vis-à-vis the urban neighborhoods and the emergent plebeian public sphere. The 1902 Police Act vastly enhanced the discretionary powers of the police over a range of ‘public’ activities and urban spaces that had hitherto been unregulated. Their newly consolidated powers, in turn, increased the scale and dimension of conflict between the colonial police and the populace. Consequently, the relationship between the colonial administration and plebeian society in Bombay grew markedly fractious in the years leading up to the end of the Great War” (p. 155). 


Mumbai at night. Photo: Premshree Pillai, flickr

Towards the end of the book, Kidambi takes on topics such as the emergence of the civil society in Bombay and the involvement of particularly the English-educated elite and middle class in various educational, scientific, religious and social reform oriented associations.

He concludes that “the rich diversity of associational activity within Indian civil society rendered its public sphere a ‘segmented’ domain in which the fashioning of the ‘autonomous, reason-bearing individual’ was offset by a countervailing process ‘through which community identities were reworked and reaffirmed’. It also invested urban public culture in colonial India with an intrinsic plurality and polyphony that has continued to inflect its post-colonial career” (p. 201). 

The last chapter of the book is devoted to the question of social reform and social service and the social activism of Bombay’s intelligentsia directed at the uplifting of the depressed classes. These efforts of the educated middle and upper classes were both integral to the process of nation building and also had the effect of strengthening “the claims to public leadership of the educated middle class during the first two decades of the twentieth century. By the end of the First World War, educated men were able to tout their credentials as the ‘real’ leaders of the citizenry far more confidently than during the late nineteenth century” (p. 231).

Relevance for today?

There are several things that I have been missing in the book (but that may be likewise a general problem with the genre of historical accounts).

The book deals with a period of three decades (1890-1920). Except for a brief note in the conclusion there is no reflection on the effects of these three decades on the later developments. One is simply left to conclude on one’s own. It feels as if relating to present days or even decades following the three decades under thorough investigation, would not be rigorous enough.  I would prefer at least some reflections, that would give the reader a sense of continuity and change and put things into a broader context of events that followed and issues that Mumbai is faced with now. This would turn a historical narrative, largely of interest only to specialists, into a reading of relevance for a much broader audience. 

Another thing that at times bothered me was what I experienced as a continual struggle of the author to give the account an appearance of factuality, of presenting matters ‘as they were’ and the very little space left to polemics with one’s own material and the works of others. This appearance of an authoritative account is greatly supported by the referencing system that uses footnotes at the bottom of each page (and not references directly in the text) and by the use of single quotes for both quotations from other’s works and archival materials and author’s own expressions in ‘quotes’. This is not very lucky as the reader very often looses track of who says what. 

Nevertheless, reading this book was enjoyable and would be definitely a great read also for any urban anthropologist, not only for historians who are the main target group. 

>> information about the book by the publisher (Ashgate)

>> read the first chapter of the book (pdf)

>> read another review: Bombay on the brink of modernity (Hans Schenk)

>> Article by Prashant Kidambi: ‘The Ultimate Masters of the City’: Police, Public Order and the Poor in Colonial Bombay (Crime, Histories and Societies 2004)

SEE ALSO:

Tereza Kuldova: Networks that make a difference. The production of social cohesion in Lucknow, North India

Colonialism, racism and visual anthropology in Japan: Photography, Anthropology and History part II

How the Ganges boatmen resist upper-caste and state domination

Sheds light on the collaboration between science and colonial administration in Naga ethnography

Three Women of Mumbai. Photo: Steve Evans, flickr

Antropologi.info book reviewer Tereza Kuldova has read another book for us.

“One wonders how little has changed”, she writes in her review of The Making of an Indian Metropolis: Colonial Governance and Public Culture…

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– Highlight the connections between people!

It happened already around 200 years ago: Aboriginal Australians marry Indians. Afghan cameleers open up the interior of Australia for transport and development. Indian seamen fight for Indonesian independence. And long before Australia was colonised by white settlers in 1788, Aboriginees have had longstanding relations with the Indonesian archipelago.

A few weeks ago I met Devleena Ghosh. She is conducting interesting research about the movements of people and ideas in the Indian ocean. We often link transnationalism to today’s world, but Ghosh shows that people have lived globalised lives already several hundred years ago. Australias history consists of more than white settler history.

– It is important to highlight the connections between people, she told me. It is important to challenge the popular belief that migration is something new, that people lived seperated from each other, hating each other. Because that’s not true.

I totally agree with her.

Relationships between South Asians and Australians during the colonial period and earlier have been little investigated. The same can be said of Norwegian history. It was not more than seven years ago, that the first history of immigration was written.

Because of this lack of transnational history writing, the incorrect view of the world as consisting of isolated and self-sustaining societies has been able to dominate the public and scientific discourse. This view has been a fruitful breeding ground for ethnic chauvinism, racism and – in social science – methodological nationalism (pdf).

Devleena Ghosh and her colleagues have published some open access papers:

Devleena Ghosh, Heather Goodall, Lindi Renier Todd: Jumping Ship: Indians, Aborigines and Australians Across the Indian Ocean (Transforming Cultures eJournal, Vol 3, No 1 (2008)

Devleena Ghosh, Stephen Muecke: Cultures of Trade: Indian Ocean Exchanges (Introduction) (pdf)

Goodall Heather: Port Politics: Indian Seamen, Australian unionists and Indonesian independence 1945-1947 (Labour History 94, 2008)

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It happened already around 200 years ago: Aboriginal Australians marry Indians. Afghan cameleers open up the interior of Australia for transport and development. Indian seamen fight for Indonesian independence. And long before Australia was colonised by white settlers in 1788,…

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Colonialism, racism and visual anthropology in Japan: Photography, Anthropology and History part II

Here is the second part of the review of the book Photography, Anthropology and History, edited by Christopher Morton and Elizabeth Edwards.

This time, Tereza Kuldova reviews Ka F. Wong’s article about one of the first Japanese anthropologists, who became popular in Japan because of his use of photography: Torii Ryūzō.

Wong shows in his article how Ryuzo’s photographs illustrate the colonial relationships at that time. Ryuzo went on fieldwork two decades before Malinowski in order to document the indigenous Taiwan population.

Tereza Kuldova questions some of Wong’s conclusions:

Review (Part II): Photography, Anthropology and History: Expanding the Frame (eds. Morton, Ch. & Edwards, E.), Ashgate. 2009. ISBN 978-0-7546-7909-7.

Tereza Kuldova, PhD fellow, Museum of Cultural History, Oslo

The article Visual Methods in Early Japanese Anthropology: Torii Ryuzo in Taiwan by Ka F. Wong discusses the beginnings of the Japanese anthropology and the personality of one of the first Japanese anthropologists, who became popular in Japan because of his use of photography, as a ‘scientific’ method of investigation and documentation of the Other, during his fieldwork.

We are talking here about Torii Ryuzo, a truly self-made anthropologist, born in 1870 in Tokushima in Shikoku, he received only second-grade education, but that did not prevent him from reading and educating himself on his own.

Torii was hired as a specimen classifier in the Anthropology Research Institute at the Tokyo Imperial University by the professor in physical anthropology Tsuboi Shogoro. “Under his mentor’s patronage and encouragement, Torii began his anthropological career, first as a fieldworker, and eventually as one of the most prominent Japanese anthropologists of the twentieth century” (Wong 2009:173). Eventually, “in 1922, he became associate professor at the Tokyo Imperial University and succeeded Tsuboi as the second chair of the Anthropological Institute” (Wong 2009:185).

As Wong notes, he was a rather special occurrence in the Japanese anthropology, because he was “a Japanese anthropologist working in the manner of a European ethnographer within a colonial context” (Wong 2009:180).
His popularity and rise as an anthropologist can be related firstly to his use of photography, in the manner of the Western anthropologists, as a tool of scientific understanding and documenting of the Other and secondly it can be related to the emergence of Japan as a colonial power.

Wong focuses on the analysis of the photographic legacy of Torii Ryuzo in the context of the modernization of Japan and the era of Japanese colonization.

Wong tries to view the photographs in the light of their own ‘agency’ and thereby to understand the nature of the contact between Ryuzo and the indigenous Taiwanese. When Japan became colonial power it could “count itself a member of the once exclusive Western club of colonial empires, and the native population of Taiwan provided fresh material for Japanese anthropologists to exhibit their intellectual virtuosity” (Wong 2009:175). Ryuzo thus set out for a fieldwork in Taiwan, two decades before Bronislaw Malinowski, and began documenting the indigenous Taiwan population, mostly within the Western style framework, using the methods of natural sciences, such as anthropometric and statistical techniques. “The camera was Torii’s tool for disseminating a vision of indigenous life of this newly colonized island to wider Japanese public” (Wong 2009:177).

Drawing on the western scholarship Torii divided the indigenous people of Taiwan “along perceived racial lines – such as by physical type, language, costume, body, decoration, architecture and material culture – into nine major groups: the Ami, Bunun, Yami, Paiwan, Tayal, Tsou, Siuo, and Salisan” (Wong 2009:177). Most of the photographs that he took were of anthropometric imagery, but he took pictures of people in various social contexts, pictures of landscape and houses, of material culture and the Japanese presence, as well.

Wong shows in his article how the photographs illustrate the colonial relationships. He points out the anthropologist in Western clothes standing and posing with the natives mostly sitting or squatting dressed in indigenous clothing. He argues, in rather classical manner, that “Torii’s anthropometric images mirrored a legitimized racial superiority in the name of scientific representation, and the subjects thereby became ‘dehumanized’ as ‘passive objects of the study’” (Wong 2009:179-80). He observes that the natives “seem to be purposely lined up in formation or staged for display, implying a power relation at play for the camera. Even those pictures that were meant to capture the natives in their natural milieu seem to project rigidity and theatricality” (Wong 2009:180).

Wong shows how photographs can be perceived as ‘social artefacts’ that convey political and personal agendas of their creator. In case of Torii the visualization of himself on the photographs with the natives certainly helped to establish him as a professional anthropologist.

This being said, I believe that there is one dimension of the analysis of photography that Wong presented, which is missing. That is the consideration of the technical and practical dimension of taking photography at that point of time. Imagine a heavy machine which for a photography to be taken needs immovable objects. If we think about the ‘theatricality and rigidity’, which Wong describes and attributes it to the demonstration of colonial power over the subjects, is it not also a natural consequence of the nature of the technology used in capturing of the natives?

Further, Wong focuses for example on the clothes worn by the anthropologist as compared to the clothes worn by the natives and interprets this in terms of power relations. At this point, the images from my own fieldwork in the 21st century India came to my mind. When looking at them, you can see me definitely dressed differently that the most of the women in India did. On photographs with them, I definitely look as a foreigner. In the end my photographs are not that different from those of Torii, though maybe his are more ‘rigid’ because of the technology he used, while mine may seem more spontaneous, taken in between conversations.
When turning the attention to the ‘postures’, which Wong notes, when I look at my photographs in that way, I must say that I tend to sit with my leg over the other, while some of the women I was working with tended to sit on the bed or floor with their legs crossed under themselves. However, I cannot claim that any of that, can from my viewpoint be interpreted in terms of power relations (at least in the sense of oppressive type of colonial power relations), though someone may frame it within west vs. rest dichotomy and draw some conclusions from that. At the same time, I believe that these would have little to do with my own relations to the people on the photographs.

Now, using the medium of photography, which at that time needed immovable persons, and objects in front of the objective, and thus necessarily appeared more rigid that nowadays, how could Torii possibly otherwise represent what he encountered? Whatever picture he would have taken would be by Wong and possibly by others necessarily interpreted in the context of the era of Japanese colonial power.

Now I do not want to say that this critique or line of thought is unproductive. What I want to point out is that, instead of looking at the photographs of the anthropologist and the natives and judging from his and their clothes or postures, when trying to understand the messages of the photographs which Torii took, we have to look firstly at what he did not take photographs of as compared to what he wanted us to see, as it is there, where the agenda and context lies. This line of thought is somehow present in Wong’s text, but in my view it should have come out stronger, as it is this what gives us the insight into the practices of representation.

>> Part I of Tereza Kuldova’s review about “Anthropology and the Cinematic Imagination”

>> more information about the book

>> read the introduction by Elizabeth Edwards and Christopher Morton

SEE ALSO:

Anthropology, photography and racism

Kerim Friedman’s dissertation: Learning “Local” Languages: Passive Revolution, Language Markets, and Aborigine Education in Taiwan

Photography as research tool: More engaged Kurdish anthropology

Karen Nakamura’s Photoethnography blog

Visual Anthropology of Japan blog

Here is the second part of the review of the book Photography, Anthropology and History, edited by Christopher Morton and Elizabeth Edwards.

This time, Tereza Kuldova reviews Ka F. Wong's article about one of the first Japanese anthropologists, who…

Read more