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Second generation migrants blog more about race and ethnicity

Anthropologist Jesse de Leon shares some of his results from his field work among Filipino bloggers and their expression of Filipino identity on blogs.

He found five major categories of Filipino bloggers: Cosmopolitans, the Philippine Elite, Im/migrants, Second Generation Diasporic Filipinos, and Younger Filipinos in the Philippines. They blog about different topics. The way he used linking in his research has especially caught my attention. You somehow express your identity the way you use links on your blog.

Jesse de Leon writes:

Second Generation Diasporic Filipinos rarely link to blogs written by the preceding groups nor leave comments. More than the other groups, these Filipino bloggers discuss race and ethnicity. Im/migrants also discuss such things, but these topics seem especially relevant to the Second Generation, judging by how much they blog about race and ethnicity. I’ve noticed the same in my interviews.

Finally come Younger Filipinos in the Philippines. Generally, they don’t link to blogs written by Second Generation Diasporic Filipinos, even though they’re the same age and often have similar interests. They’re far more likely to link to blogs written by the other groups.

>> read his whole post on Sarapen

He has also published his first outline of his thesis. Very impressive. I wish I was so organised… (sometimes at least…)

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New blog: Sarapen. Online anthropology on Filipino bloggers

Anthropologist Jesse de Leon shares some of his results from his field work among Filipino bloggers and their expression of Filipino identity on blogs.

He found five major categories of Filipino bloggers: Cosmopolitans, the Philippine Elite, Im/migrants, Second Generation Diasporic…

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Ethnographic study: Why the education system fails white working-class children

“Our politicians are so obsessed by race that they have forgotten the importance of class”, writes Daily Telegraph journalist Andrew Gimson and points to a new book by anthropologist Gillian Evans called Educational Failure and Working-Class White Children in Britain.

Evans conducted fieldwork in families of boys who were highly disruptive at school. Among other things, she documents the importance of class and institutional class prejudices.

In an essay in The Guardian (that provoced many reactions), she writes:

“It’s them and us, that’s ‘ow it’s always been, that’s ‘ow it’ll always be,” [informant] Anita laments. “We are the backbone of the nation and no one gives a fuck about us.” Reacting against dominance, then, working-class pride creates the means for dignity; common people fight back defensively with their own values and so being common entails an inverse snobbery.

The importance of this understanding from the point of view of education is as follows: if it is true, as I suggest it is, that the school, as a formal institution of the state, has come to represent and embody posh people’s values, and make legitimate their way of being in the world, then it is also true to say that common children, like Sharon’s younger daughter, will encounter the formal, “proper”, “posh” atmosphere of the school as if it were a foreign country.

(…) At school, and in life, middle-class people behave as though they are doing working-class people a favour, teaching them how to live a “proper” life and then wondering why it doesn’t work. They are not prepared for working-class people’s resistance to this process, a resistance born of a defiant pride about the value of common life.

Her fieldwork exploded several myths, f.ex. “Problem children at school are problem children in the home” or “Education is not highly rated amongst the working classes”.

During my research, the teachers in the underperforming primary school I studied didn’t focus on institutional failures and how those failures were affecting the chances of working-class children (…). The teachers were convinced that the most disruptive of the boys came from “problem families”, and that was all that mattered.

(…) To my surprise, I discovered that these boys (…) were “as good as gold” at home.

Under the strict discipline of his parents, Tom [one of the boys] was “under manners”. I also discovered that Tom’s sister, who was three years younger than him, was doing brilliantly at school; she was a star achiever and a “teacher’s pet”. This fact threw a spanner in the works and suggested that “problem families” cannot, in any simple way, be blamed for children’s educational failure.

Tom’s “problem” had to do with “street culture” (and we may add its lacking recognition by the middle class school system?):

[I]n seeking the freedom of the street (…) he encountered gangs of older boys who rule the closely-defined territories of the street with ruthless intimidation and violence. A young boy must, then, quickly learn to withstand intimidation and, in time, learn how to be intimidating and even to enjoy violence himself.

In this way, a young boy quickly develops a reputation of his own in relation to a particular “turf” or area and it is in the failing school, where adult authority is weak, that a boy like Tom gets to use the territory of the school as a relatively safe place to work out and to extend his influence among peers. His developing reputation makes it impossible for him to be “good” and to be seen to be doing well, learning effectively at school.

(…) [T]he more problems there are at home, the more likely a boy is to seek the freedom of the street and the company of peers to escape the stresses at home that working class or what they call “common” life places on his parents.

But why has she focused on white children, she was asked by black friends:

I explained that most of the attention in Britain is on the failure of black boys, but when the statistics are examined, white working-class boys are, in some boroughs, doing worst of all and in terms of national averages are faring only slightly better than black boys. This information caused surprise.

I suggested that part of the problem when we talk about black boys in Britain is that we tend to focus on their race, their ethnicity and their cultural background. (…) When we look at the failure of working-class white boys, however, what is emphasised about them is their social class position.

This means the opportunity is lost to consider whether those black and white boys who are failing are doing so because of reasons to do with them being similarly working class, and that perhaps the prejudice they experience at school is first and foremost an institutional class prejudice. By default, this means black people don’t have a social class position and white people don’t have an ethnic or cultural background, they are simply from the working, middle or upper classes.

>> read her first article “Common Ground” (The Guardian, 4.10.06)

>> read her second article “Bottom of their class” (The Guardian, 11.10.06)

These two essays provoked lots of comments and triggered a very interesting debate.

Patrick Butler sums up:

The article, after all, was about that most British and volatile of subjects: social class. The tone of many responses might be summarised thus: how dare a middle-class person write about working-class people?

People were offended that Evans’s reference to “common” people was “patronising” (though this was her Bermondsey subject Sharon’s classification, not hers); her reference to Bermondsey’s white working-class people as a “tribe” was deemed offensive (yet this was precisely the word her subjects used to describe themselves – as in “the last white tribe in London”).

It was felt demeaning that her subjects’ words were spelt phonetically – and yet what better way, in this context, to transmit the authentic, charismatic power of the spoken word (and, equally, how patronising, were we to have standardised the spelling throughout).

>> read the whole text in The Guardian

>> Class war. An edited selection of responses to Gillian Evans’s article

Gillian Evans answers: “I suggest that it is this admission of the feeling of “knowing best” that has most angered people”, and adds:

People’s difficulty with my work and the SocietyGuardian article, is that it breaks a taboo. Taboos exist to protect sacred ideals. In this case the sacred ideal is as follows: people in Britain are equal, the Empire is over: social class is dead. My work breaks that taboo by reminding people that social class is alive and well and deeply felt. Hence the strong reaction to it. People who break taboos must be punished because no one wants to confront the truth of what’s really going on beneath the ideal.

>> read her whole comment

"Our politicians are so obsessed by race that they have forgotten the importance of class", writes Daily Telegraph journalist Andrew Gimson and points to a new book by anthropologist Gillian Evans called Educational Failure and Working-Class White Children in Britain.…

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Play as research method – new Anthropology Matters is out

(LINKS UPDATED 31.10.22) In the field, anthropologists spent lots of time playing football or learning to dance: Could such enjoyable pastimes be considered a kind of work? Could play be used as a research technique? The new issue of Anthropology Matters is out. Its topic: From Play to Knowledge.

Seems to be a very interesting issue. Here some excerpts from the editorial by Susanne Langer, Emily Walmsley, Hannah Knox, and Mattia Fumanti:

In the first article Jonathan McIntosh reflects on his research with children in a Balinese dance studio. (…) Without a degree of linguistic competence he would not have been able to understand the children’s songs and games he was interested in, let alone able to join in (…). Being able to participate did not only add an important embodied dimension to McIntosh’s research, but also changed his relationship with the children. Balinese adults tend to be figures of respect, who may initiate games, but tend not to play themselves. By being an atypical adult, McIntosh was able to let the children take the lead and become his teachers, allowing him to learn about their everyday games and the role music and dance play in their lives.

(…)

Lucy Atkinson (…) played with children from the Democratic Republic of Congo who were living in a refugee camp in Northern Zambia. (…) [H]er aim was to create a space for the children to express themselves freely, using a variety of creative media, such as drawing, drama, or film, as well as techniques derived from participatory consultation and decision making processes to achieve this. (…)

However, the incorporation of these incredibly rich sources into standard academic accounts has presented Atkinson with a challenge. (…) In particular the children’s drawings, she contends, are not mere illustrations of the writing, but should be seen as more akin to quotes. However, she admits that this new status of the pictorial will require a major change in the conventions of how ethnographic writing is received.

(…)

In his research, Will Gibson was interested in the intersubjective knowledge involved in the production of improvised jazz performances (…). Dissatisfied with the degree of detail that conventional interviews produced, he decided to record incidents when he was playing with experienced performers. Gibson then played the recordings back to them, inquiring about their motivations and decisions when playing a sequence in a particular way.
This approach allowed him to learn about conventions, a player’s personal preferences, and the considerations concerning the skills and experience of other players that had influenced their improvisations. This innovative approach enabled Gibson to tease out the ways in which players orient themselves to each other and to the conventions of jazz improvisation.

>> read the whole Editorial

Articles in this issue:

Jonathan McIntosh: How dancing, singing and playing shape the ethnographer: research with children in a Balinese dance studio
“In this article I contribute to the debate on research methods in ethnomusicology. To do this I illustrate how active engagement in the activities and learning processes of children better enables the ethnographer to gain insights into children’s musical worlds.”

Lucy Atkinson: From play to knowledge: from visual to verbal?
“This article relates my experiences using playful child-centred research techniques whilst undertaking research with Congolese refugee children in Zambia. Such techniques generate rich and varied information, and often in unexpected ways.”

Brett Lashua: The arts of the remix: ethnography and rap
“In this paper I take note of ‘the arts of the remix’, in which techniques of producing hip-hop music with First Nations young people in Canada involved remixing both music and research practices.”

Will Gibson: Playing in the field: participant observation and the investigation of intersubjective knowledge in jazz improvisation
“I describe an approach to participant observation in which recordings of the researcher and research participants improvising musical performances together were used as ‘texts’ for framing discussions.”

Katrín Lund: Making mountains, producing narratives, or: ‘One day some poor sod will write their Ph.D. on this’
“This paper looks at ways of narrating mountaineering experiences in Scotland. What anthropologists can learn about their own ways of organising and abstracting their experiences from examining the material culture of mountaineers.”

>> front page of Anthropology Matters 2006, Vol 8 (2)

(LINKS UPDATED 31.10.22) In the field, anthropologists spent lots of time playing football or learning to dance: Could such enjoyable pastimes be considered a kind of work? Could play be used as a research technique? The new issue of Anthropology…

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Visual ethnography and Kurdish anthropology by Kameel Ahmady

(LINKS UPDATED 21.9.2020) The first part of the paper Media consumption, conformity and resistance: a visual ethnography of youth culture in Iranian Kurdistan by anthropologist Kameel Ahmady has been published on KurdishMedia. Ahmady wanted to examine the factors which shape a sense of belonging among young people in Mahabad, a town on the north-west periphery of Iran.

His methodological approach is interesting:

I used reflexive visual methods, asking them [the young people] to take their own photographic pieces dealing with themes they saw as relevant to local current events and their place within these processes. The works they produced were then placed in a week long public exhibition in Mahabad, where further data was gathered in a Guest Book of reactions to the event, as well as participant observation notes taken at the time.

Kameel Ahmady has an interesting website with an image gallery and we also can read some of his articles and papers, mostly dealing with Middle East issues.

UPDATE (15.10.06): Part II of his paper Media consumption, conformity and resistance: A visual ethnography of youth culture in Iranian Kurdistan is out

(LINKS UPDATED 21.9.2020) The first part of the paper Media consumption, conformity and resistance: a visual ethnography of youth culture in Iranian Kurdistan by anthropologist Kameel Ahmady has been published on KurdishMedia. Ahmady wanted to examine the factors which…

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Qualitative Migration Research in Europe: New issue of “Forum Qualitative Social Research”

How to do research on migration? Lots of interesting papers in the recent issue of the multilingual and interdisciplinary Open Access journal Forum: Qualitative Social Research.

“Qualitative Migration Research in Contemporary Europe” is the topic of the recent issue, and most papers deal with methodolocial questions

Maren Borkert and Carla De Tona for example write about “Issues Faced by Young European Researchers in Migration and Ethnic Studies” , especially when rearching abroad as “academic migrants”:

The term academic migrant refers to European academics, like the authors of this paper, who become more and more transnational while researching migration in Europe. As migrant European researchers we move to and settle in third-countries, often having to speak a new language, and learning to adjust to new social and cultural normativities, feeling the migration’s uprooting and re-grounding and, in short, becoming “foreigners” as the people who participate to our researches (who may or may not be from our home country). Although we may not call ourselves migrants, we end up experiencing migration in similar ways to the participants of our research.

The emerging issue for us is how does this particular transnational aspect of our positionality (of researching migrants as academic migrants) influence us as researchers, the dynamics we establish with our participants and the ultimate shape of our research?

>> read the whole paper

Similar questions are raised in the papers Cultural “Insiders” and the Issue of Positionality in Qualitative Migration Research: Moving “Across” and Moving “Along” Researcher-Participant Divides by Deianira Ganga & Sam Scott and Doing Qualitative Research with Migrants as a Native Citizen: Reflections from Spain) by Alberto Martín Pérez.

There are also case studies about Somali migrants in Finland, Greek musicians in Germany, cultural capital during migration and Reflecting Upon Interculturality in Ethnographic Filmmaking where Laura Catalán Eraso claims that ethnographic film is still very much an under-utilised research technique. Films may illuminate the “intercultural” dynamics between minority (participant) and majority (researcher) and challenge the traditional power relations between the researcher and his/her “subjects”:

[T]he filmmaker(s) will loose authority in the film and that authority will tend to get decentralised and shared among subjects. Ways of doing this include allowing subjects to: manage the camera; choose the shots that are used: and, give feedback on the end results. These techniques, not dissimilar to those advocated in other forms of qualitative enquiry, will hopefully create new possibilities for ethnographic film by allowing space for greater equality between, and more reflection by, researchers and participants.

In the introduction, the editors remind us of that…

migration is not a new phenomenon: human beings have always been moving to other places, other regions and other countries. What is “new” is the relatively recent invention and creation of national borders and the “imagining” of nation-states (ANDERSON, 1983, pp.5-7). These ideological processes make migration “international” and thus problematise the natural behaviour of people attempting to improve their everyday lives.

>> overview over all articles in Forum: Qualitative Social Research on Qualitative Migration Research in Europe

How to do research on migration? Lots of interesting papers in the recent issue of the multilingual and interdisciplinary Open Access journal Forum: Qualitative Social Research.

"Qualitative Migration Research in Contemporary Europe" is the topic of the recent issue, and…

Read more