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“The Maori ethnopolitical movement threatens democracy”

“The ethnopolitical Maori-Pakeha movement in New Zealand is subverting democracy, erecting ethnic boundaries between Maori and non-Maori and promoting a cultural elite within Maoridom”, Elizabeth Rata claims. She has just published her second book, “Public Policy and Ethnicity, the Politics of Ethnic Boundary Making”. The book is written with 13 other academics, including anthropologists Jonathan Friedman and Alain Babadzan.

Her PhD was in the philosophy of education, her thesis was an investigation of Maori revival and retribalisation. In an interview with New Zealand Herald, she says:

My research threw up the opposite of what I thought I’d find – that retribalisation would serve the interests of social justice – so disproving my original argument.
(…)
Many New Zealanders originally supported Maori retribalism because they saw it as a means to much greater social justice – and my argument is that, in fact the opposite has happened – that group of poor marginalised Maori is in the same position now.

Rata discovered the emergence of “neotribal capitalism”: Once Maori people were given back assets, they behaved just like white New Zealanders. The aggressive and adventurous grabbed the spoils, she claims, while the rest remained as poor as ever. Although it might have been an unintended consequence, the Maori movement led according to her to an ethnification of politics and society. It led to the belief that ethnicity was our primary identity – more basic than any other identity we could choose. People were classified ethnically within mental health, education. Ethnicity was institutionalised at all levels.

But the biggest problem, says Rata, is that no one will talk about what is happening.

>> read the whole article in The New Zealand Herald

Rata has received lots of criticism for her views. In a Call for papers for the Journal of Indigenous Nations Studies we read:

Rata’s rhetoric bears a resemblance to global right wing conservative messages that promote the notion that when “traditional fundamentalists” succeed in intervening into western power structures they contaminate and weaken western democracy.
(…)
Through what amounts to unchecked media access, writers around the globe use their privileged positions to promote western bias and dogma, deepen colonial trauma, and undermine futures of Indigenous Peoples.

And the International Research Institute For Maori And Indigenous Education (Iri) And Te Aratiatia (Maori Education, The University Of Auckland states:

The recent attack by Elizabeth Rata on Kaupapa Maori developments highlights a disturbing trend of racism being disguised as public debate. Director of the International Research Institue for Maori and Indigenous Education, Dr Leonie Pihama, states that the comments by Elizabeth Rata where couched within an “almost unintelligible academic language” do in fact merely reflect the Don Brash position that Maori language and culture have little significance in this country.

I suppose one example of these racist attacks can be found in this article Gene linked to Maori violence

I’ve neglected Maori issues in this blog. For current news, see Waatea News Update by journalist Adam Gifford and for more links Wikipedia: Maori.

SEE ALSO:

Studies in the Making of the Maori: An Introduction by Jennifer Gin Lee

Stephen Webster: Maori hapuu and their history (Australian Journal of Anthropology, Dec 1997)

Judith Simon: Anthropology, ‘native schooling’ and Maori: The politics of ‘cultural adaptation’ policies (Oceania, Sep 1998)

Jeffrey Sissons: Anthropology, Maori tradition and colonial process
(Oceania Sep 1998)

"The ethnopolitical Maori-Pakeha movement in New Zealand is subverting democracy, erecting ethnic boundaries between Maori and non-Maori and promoting a cultural elite within Maoridom", Elizabeth Rata claims. She has just published her second book, "Public Policy and Ethnicity, the Politics…

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Indigenous? Non-Western? Primitive? The Paris Museum Controversy

Musee Quai Branly, a new major museum in Paris, dedicated entirely to well, how should it be called “non-Western arts”?, “indigenous arts?” has opened last Friday. Although the organizers named the new museum in Paris after the street it was built on after stirring criticism for floating the idea of a “primitive arts” or “first arts” museum, we read news headlines like “Paris unveils tribal art museum” (BBC), Paris welcomes new museum of indigenous art (Financial Times), and the Los Angeles Times informs: Parisians and tourists had their first chance Friday to visit Paris’ new primitive-art museum

Why do we need such a huge museum for non-European art?

“We want to show that this type of art is equivalent to European art. We want to place it on the same level”, said Patrice Januel, the museum’s director and curator.

But many people oppose the idea of categorising African, Asian and Pacific art as separate from Western art, according to the Telegraph:

Criticism ranges from claims that an institute dedicated to ethnic art is a patronising reinforcement of racist stereotypes to complaints that it relies heavily on items plundered in the ex-colonies. Some historians also suggest that the museum could “ghettoise” the works by isolating them from other art forms. (…) Among African observers, doubts persist. One Johannesburg critic said the museum would prompt bitter cries of “return the pillaged colonial loot”.

The museum is designed around a jungle theme. This design risked perpetuating colonial stereotypes, historian Gilles Manceron said according to The Guardian. It’s quite “natural” inside as well.

The New Zealand Harald describes the interior:

Inside, the sensation is of spirituality, with random shimmerings of light dappling the floor like sunbeams that pierce a rainforest canopy. The floor gently slopes, and the pillars are daubed in ochre coatings to make it look as if they have strangely taken root there.

Objects are arranged according to the continent of origin.

Patrick Lozes, president of an umbrella group of several hundred black associations called Cran, said he feared the new museum’s “archaic way of showing the past” would accentuate divisions rather than heal them, according to the New Zealand Harald:

“It’s an extension of a certain colonialist vision. Today we should emphasis migration and the mixing of people and not try to artificially separate the various strands of French society.”

The Courier Mail (Australia) on the otherhand writes about indigenous artists who are quite positive about the museum. The contribution to a wing of the Musee Quai Branly might be the largest and most significant permanent display of indigenous art outside Australia. Artist Gulumbu Yunupingu says:

“This place is a sacred place. I feel something here. It’s bringing us healing. These people recognised my hand, my work.”

Ap /Los Angeles Times reminds us:

Issues about France’s colonial past are still sensitive here — just last year, parliament passed a law requiring schoolbooks to highlight the “positive role” of French colonialism. The term was later stripped from the legislation, but the law was an embarrassment for France.

>> English homepage of the museum

Or rather start here:

>> Multimedia Presentations: Instruments and music of the world – draped garments – nomad settlements – it’s natural!

PS: Savage Minds has also blogged about it

UPDATE
A good summary: Al-Ahram Weekly: Museum of the oppressed

Musee Quai Branly, a new major museum in Paris, dedicated entirely to well, how should it be called "non-Western arts"?, "indigenous arts?" has opened last Friday. Although the organizers named the new museum in Paris after the street it was…

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New Maori party wins first seat in parliament

The Independent

The party aims to be a new force in New Zealand politics, wooing Maori voters who have traditionally supported Labour. It has threatened to join forces with the centre-right National Party to oust Ms Clark’s Labour minority government in an election due to be held next year.

Legislation placing the seabed and foreshore under public control is opposed by Maoris, who say it will deprive them of traditional ownership of coastal areas. The government says it is intended to protect public access to beaches and fisheries while accommodating Maori customs such as gathering seafood on ancestral lands. The plan sparked the biggest Maori protest for decades, with 20,000 demonstrators cramming the grounds of parliament in Wellington in May.

(article no longer available online)

The Independent

The party aims to be a new force in New Zealand politics, wooing Maori voters who have traditionally supported Labour. It has threatened to join forces with the centre-right National Party to oust Ms Clark's Labour minority government in…

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