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Doctoral thesis: Towards a transnational Islam

Young muslims are moving from an Islam based on the culture of their homeland to an increasingly transnationally embedded Islam of Muslims from many different countries and cultures. That’s one of the findings in the doctoral thesis by Norwegian anthropologist Christine M. Jacobsen that is now no longer available online. (UPDATE 26.3.2020)

Contributing to an emerging “anthropology of Islam in Europe”, she writes, her thesis is concerned with exploring continuities and discontinuities in religious identities and practices in a context of international migration and globalization. She has conducted fieldwork among youth and students who participate in two Islamic organizations in Oslo.

The situation of belonging to a minority group, she writes, means that young Muslims cannot take their religion for granted, and that they must engage in the redefinition of identity/difference and of Islamic traditions. And in this redefinition, young Muslims increasingly aspire to engage directly with Islamic texts in order to “choose” which position or interpretation to adhere to. They increasingly engage in discussion and debate on issues that were previously mainly an area of scholarly debate.

In order to make this thesis relevant to the broader comparative field of studies of Islam in Europe, Jacobsen draws on insights from studies of young Muslims elsewhere in Europe.

She criticizes the prevailing methodological nationalism in studies on immigrants and migration (the paradigm of the nation-state as the principle organizing unit of society). She writes:

Discussions about integration often ignore distinctions related to e.g. class, generation, gender, and urban processes, and tend to reify the distinction between “Us” (the Norwegian society representing Norwegian values) and “Them” (being the foreigners that must be integrated). Often, such discussions proceed without questioning the premises upon which our understanding of “integration” depends, and the way in which integration is part of a nation-making process.

In research that is based in political-administrative and methodological nationalist perspective, immigrants and the cultural and religious forms they represent tend to be constructed as “social problems” and “deviance” that need to be solved and brought into order through governing processes (Lithman 2004).

An example is the issue of arranged marriage:

Depending on the perspective adopted, arranged marriage might appear as an issue of deviancy among immigrants or as a part of how a majority of mankind organizes its social life. The consequences for anthropology as cultural critique are obviously important. When immigrants and the social and cultural forms they represent are constructed as “social problems” and “deviance”, they can neither allow worthwhile and interesting critiques of “our own society”, nor enlighten us about other human possibilities, to paraphrase Marcus and Fischer.

Within this nationalistic perspective, Islam is usually approached in terms of how it hinders or facilitates the “integration” of “Muslim immigrants” into “Norway” (or other European societies, “the West”). Studies of Muslims in Europe based on what Lithman calls “wonderment over society” seem to be less frequent, she writes:

When framed within the perspective of a nationalist methodology, this endeavour necessarily must result in ethnocentrism. Furthermore, this perspective has certain consequences not only for the description of the social and cultural aspects involved in migration, but also for its moral evaluation and as a basis for policy making.

She prefers “methodological relativism”:

Even though it is impossible to exclude all value-assumptions from research, I find striving towards considering different practices and traditions on their own terms worthwhile. If not, it is difficult to grasp the meaningfulness of social and cultural practices to the people that engage in them, or to see them as alternative ways of organizing human life, rather than just as deviance from a norm.

>> Download the thesis Staying on the straight path: Religious identities and practices among young muslims in Norway by Christine M. Jacobsen (BORA, Bergen Open Research Archive)

For those who read Norwegian: I’ve interviewed Christine M. Jacobsen a few weeks ago, see Doktorgrad på unge norske muslimer: På vei til en transnasjonal islam

LINKS UPDATED 26.3.2020

SEE ALSO:

Andreas Wimmer and Nina Glick Schiller: Methodological nationalism and beyond: Nation building, migration and the social sciences (pdf)

Why the French Don’t Like Headscarves

Muslims in Calcutta: Towards a middle-class & moderation

What does it mean to be Muslim in a secular society? Anthropologist thinks ahead

Islam in Morocco: TV and Internet more important than mosques

Lila Abu-Lughod: It’s time to give up the Western obsession with veiled Muslim women

Young muslims are moving from an Islam based on the culture of their homeland to an increasingly transnationally embedded Islam of Muslims from many different countries and cultures. That's one of the findings in the doctoral thesis by Norwegian…

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Photography as research tool: More engaged Kurdish anthropology

Visual anthropologist Kameel Ahmady has published several new articles at KurdishMedia.com. It looks like he is about to publish a whole book there. It started four weeks ago with part one of Media consumption, conformity and resistance: A visual ethnography of youth culture in Iranian Kurdistan, today we can read part five.

In part three, he tells us more about the way he uses photography to interact with his informants and discuss (tricky) gender issues:

Young women are particularly voiceless, and marginalised or excluded altogether from public spaces. Therefore, photography, and particularly the participatory methods which I incorporated with photography, became a way for the young people this research deals with to reflect on public space in a new way which they may not have done before.

It also was an alternate means of them expressing themselves which was less intimidating and more accessible than simply interviews, which they might not relate to. It gave girls especially a chance to participate in and narrate public space from which they feel excluded. The young adults were encouraged to develop their own themes from what they felt was relevant.

These pictures, taken by young people, have then been exhibited at the Town hall:

These images, about themes relating to community and public space, now on display in public space, revealed understandings of local culture – those of the children – which had previously been obscured from the adult dominated public domain. This allowed the viewers to see their surroundings in new ways, and therefore opened up dialogue between different segments of the population.

From the perspective of young people, the ‘ethnographic meanings’ of the photographs contribute to an understanding of youth culture in Mahabad, not only for me as the ethnographer, but for the wider community. Collier and Collier (1986) have referred to this approach as a specific fieldwork method, ‘photo-essays’: “When the photographic essay has been read by the native, it can become a meaningful and authentic part of the anthropologist’s field notes” (1986:108). Such was the experience of helping to organise and observing the exhibition.

For example, one attendee wrote in the Guest Book for the exhibition:

“This was very interesting. It showed me a different way of seeing the town; the streets we cross every day have a different meaning. It is interesting to see the different vision of Mahabad among the young people. For me, poverty is the thing that comes out most, how they view this theme”

Part four and part five provide more details about some photo essays.

And a few days ago, Kameel Ahmady wrote about the problems of representation at the Kurdish Cultural Heritage Project at a museum in London:

The very admirable idea behind this was to give Kurds in London a sense of belonging and a chance to express their identity, and to make people feel they have been given the chance to contribute to the wider multicultural society in practice. Through the course of this project, some of the community members realised that participation of Kurds was through only a small and select group, as the museum chose to work with one particular community centre and exclude the others. Therefore, even though the aims were good and worthwhile ones which for sure every Kurdish person would support, the vast majority were not given the opportunity to do this or in fact had any knowledge of the work at the Museum

.

>> overview over Kameel Ahmady’s texts at KurdishMedia.com

>> Kameel Ahmady’s homepage with image gallery and several papers

SEE ALSO:

Visual ethnography and Kurdish anthropology by Kameel Ahmady

“We want children to be their own ethnographers”

Ethnographic Flickr

Photo Ethnography Blog by Karen Nakamura

Visual anthropologist Kameel Ahmady has published several new articles at KurdishMedia.com. It looks like he is about to publish a whole book there. It started four weeks ago with part one of Media consumption, conformity and resistance: A visual…

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Online: Thesis about Up-Country Tamil Students

“Their history deserves to be known in every other country where one can expect to be served a cup of Ceylon tea”, Norwegian anthropologist Haakon Aasprong writes in his thesis Making a Home Away from Home: On Up-country Tamil identity and social complexity at a Sri Lankan university that now is available online.

He has conducted field work among Up Country Tamils at the University of Peradeniya from January to August 2006. Up-country Tamils are descendents from workers sent from South India to Sri Lanka in the 19th and 20th centuries to work in coffee, tea and rubber plantations.

He writes:

There are a number of reasons why Up-country Tamils deserve anthropological attention. The people itself is a young one and an idea of a unique ethnic identity is still in the process of articulation. Their immigration to the island [Sri Lanka] began as late as in the 1830’s at which time they arrived as labour immigrants from South India.

Today, they are in many ways a “diaspora next-door” (Bass 2004:375) and in a difficult situation vis-à-vis their Sri Lankan contemporaries, who have tended to be suspicious of their true loyalties and treated them as tools of Indian imperialism. Their employment as plantation labour in the up- and midcountry has to a large degree isolated them from mainstream society and while they enjoyed citizenship and limited voting rights under British rule, they were, following Independence, disenfranchised and rendered stateless.

Confined to conditions of semi-slavery in the plantation sector, the Up-country Tamils have been lagging behind the national averages with regard to indicators of quality of life. They are, moreover, as the Pastor of the Peradeniya campus church explained to me, “a voiceless community,” or in anthropological terms “a muted group”, and have been largely ignored when not suspected of disloyalty.

(…)

The 15 CG Up-country Tamils I have followed are all among the first in their communities to obtain a university education. They are, in other words, treading new ground, relying on each other and their own decisions, in a place which is conceptually, if not physically, far removed from their home communities. It is their task to make of campus a home away from home.

>> download the thesis “Making a Home Away from Home: On Up-country Tamil identity and social complexity at a Sri Lankan university” (pdf – 5,6MB )

UPDATE: Just found that Haakon Aasprong has been blogging on Globen Cafe

SEE ALSO:

Wikipedia about Up Country Tamils

"Their history deserves to be known in every other country where one can expect to be served a cup of Ceylon tea", Norwegian anthropologist Haakon Aasprong writes in his thesis Making a Home Away from Home: On Up-country Tamil identity…

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Ethnographic study: Why the education system fails white working-class children

“Our politicians are so obsessed by race that they have forgotten the importance of class”, writes Daily Telegraph journalist Andrew Gimson and points to a new book by anthropologist Gillian Evans called Educational Failure and Working-Class White Children in Britain.

Evans conducted fieldwork in families of boys who were highly disruptive at school. Among other things, she documents the importance of class and institutional class prejudices.

In an essay in The Guardian (that provoced many reactions), she writes:

“It’s them and us, that’s ‘ow it’s always been, that’s ‘ow it’ll always be,” [informant] Anita laments. “We are the backbone of the nation and no one gives a fuck about us.” Reacting against dominance, then, working-class pride creates the means for dignity; common people fight back defensively with their own values and so being common entails an inverse snobbery.

The importance of this understanding from the point of view of education is as follows: if it is true, as I suggest it is, that the school, as a formal institution of the state, has come to represent and embody posh people’s values, and make legitimate their way of being in the world, then it is also true to say that common children, like Sharon’s younger daughter, will encounter the formal, “proper”, “posh” atmosphere of the school as if it were a foreign country.

(…) At school, and in life, middle-class people behave as though they are doing working-class people a favour, teaching them how to live a “proper” life and then wondering why it doesn’t work. They are not prepared for working-class people’s resistance to this process, a resistance born of a defiant pride about the value of common life.

Her fieldwork exploded several myths, f.ex. “Problem children at school are problem children in the home” or “Education is not highly rated amongst the working classes”.

During my research, the teachers in the underperforming primary school I studied didn’t focus on institutional failures and how those failures were affecting the chances of working-class children (…). The teachers were convinced that the most disruptive of the boys came from “problem families”, and that was all that mattered.

(…) To my surprise, I discovered that these boys (…) were “as good as gold” at home.

Under the strict discipline of his parents, Tom [one of the boys] was “under manners”. I also discovered that Tom’s sister, who was three years younger than him, was doing brilliantly at school; she was a star achiever and a “teacher’s pet”. This fact threw a spanner in the works and suggested that “problem families” cannot, in any simple way, be blamed for children’s educational failure.

Tom’s “problem” had to do with “street culture” (and we may add its lacking recognition by the middle class school system?):

[I]n seeking the freedom of the street (…) he encountered gangs of older boys who rule the closely-defined territories of the street with ruthless intimidation and violence. A young boy must, then, quickly learn to withstand intimidation and, in time, learn how to be intimidating and even to enjoy violence himself.

In this way, a young boy quickly develops a reputation of his own in relation to a particular “turf” or area and it is in the failing school, where adult authority is weak, that a boy like Tom gets to use the territory of the school as a relatively safe place to work out and to extend his influence among peers. His developing reputation makes it impossible for him to be “good” and to be seen to be doing well, learning effectively at school.

(…) [T]he more problems there are at home, the more likely a boy is to seek the freedom of the street and the company of peers to escape the stresses at home that working class or what they call “common” life places on his parents.

But why has she focused on white children, she was asked by black friends:

I explained that most of the attention in Britain is on the failure of black boys, but when the statistics are examined, white working-class boys are, in some boroughs, doing worst of all and in terms of national averages are faring only slightly better than black boys. This information caused surprise.

I suggested that part of the problem when we talk about black boys in Britain is that we tend to focus on their race, their ethnicity and their cultural background. (…) When we look at the failure of working-class white boys, however, what is emphasised about them is their social class position.

This means the opportunity is lost to consider whether those black and white boys who are failing are doing so because of reasons to do with them being similarly working class, and that perhaps the prejudice they experience at school is first and foremost an institutional class prejudice. By default, this means black people don’t have a social class position and white people don’t have an ethnic or cultural background, they are simply from the working, middle or upper classes.

>> read her first article “Common Ground” (The Guardian, 4.10.06)

>> read her second article “Bottom of their class” (The Guardian, 11.10.06)

These two essays provoked lots of comments and triggered a very interesting debate.

Patrick Butler sums up:

The article, after all, was about that most British and volatile of subjects: social class. The tone of many responses might be summarised thus: how dare a middle-class person write about working-class people?

People were offended that Evans’s reference to “common” people was “patronising” (though this was her Bermondsey subject Sharon’s classification, not hers); her reference to Bermondsey’s white working-class people as a “tribe” was deemed offensive (yet this was precisely the word her subjects used to describe themselves – as in “the last white tribe in London”).

It was felt demeaning that her subjects’ words were spelt phonetically – and yet what better way, in this context, to transmit the authentic, charismatic power of the spoken word (and, equally, how patronising, were we to have standardised the spelling throughout).

>> read the whole text in The Guardian

>> Class war. An edited selection of responses to Gillian Evans’s article

Gillian Evans answers: “I suggest that it is this admission of the feeling of “knowing best” that has most angered people”, and adds:

People’s difficulty with my work and the SocietyGuardian article, is that it breaks a taboo. Taboos exist to protect sacred ideals. In this case the sacred ideal is as follows: people in Britain are equal, the Empire is over: social class is dead. My work breaks that taboo by reminding people that social class is alive and well and deeply felt. Hence the strong reaction to it. People who break taboos must be punished because no one wants to confront the truth of what’s really going on beneath the ideal.

>> read her whole comment

"Our politicians are so obsessed by race that they have forgotten the importance of class", writes Daily Telegraph journalist Andrew Gimson and points to a new book by anthropologist Gillian Evans called Educational Failure and Working-Class White Children in Britain.…

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Play as research method – new Anthropology Matters is out

(LINKS UPDATED 31.10.22) In the field, anthropologists spent lots of time playing football or learning to dance: Could such enjoyable pastimes be considered a kind of work? Could play be used as a research technique? The new issue of Anthropology Matters is out. Its topic: From Play to Knowledge.

Seems to be a very interesting issue. Here some excerpts from the editorial by Susanne Langer, Emily Walmsley, Hannah Knox, and Mattia Fumanti:

In the first article Jonathan McIntosh reflects on his research with children in a Balinese dance studio. (…) Without a degree of linguistic competence he would not have been able to understand the children’s songs and games he was interested in, let alone able to join in (…). Being able to participate did not only add an important embodied dimension to McIntosh’s research, but also changed his relationship with the children. Balinese adults tend to be figures of respect, who may initiate games, but tend not to play themselves. By being an atypical adult, McIntosh was able to let the children take the lead and become his teachers, allowing him to learn about their everyday games and the role music and dance play in their lives.

(…)

Lucy Atkinson (…) played with children from the Democratic Republic of Congo who were living in a refugee camp in Northern Zambia. (…) [H]er aim was to create a space for the children to express themselves freely, using a variety of creative media, such as drawing, drama, or film, as well as techniques derived from participatory consultation and decision making processes to achieve this. (…)

However, the incorporation of these incredibly rich sources into standard academic accounts has presented Atkinson with a challenge. (…) In particular the children’s drawings, she contends, are not mere illustrations of the writing, but should be seen as more akin to quotes. However, she admits that this new status of the pictorial will require a major change in the conventions of how ethnographic writing is received.

(…)

In his research, Will Gibson was interested in the intersubjective knowledge involved in the production of improvised jazz performances (…). Dissatisfied with the degree of detail that conventional interviews produced, he decided to record incidents when he was playing with experienced performers. Gibson then played the recordings back to them, inquiring about their motivations and decisions when playing a sequence in a particular way.
This approach allowed him to learn about conventions, a player’s personal preferences, and the considerations concerning the skills and experience of other players that had influenced their improvisations. This innovative approach enabled Gibson to tease out the ways in which players orient themselves to each other and to the conventions of jazz improvisation.

>> read the whole Editorial

Articles in this issue:

Jonathan McIntosh: How dancing, singing and playing shape the ethnographer: research with children in a Balinese dance studio
“In this article I contribute to the debate on research methods in ethnomusicology. To do this I illustrate how active engagement in the activities and learning processes of children better enables the ethnographer to gain insights into children’s musical worlds.”

Lucy Atkinson: From play to knowledge: from visual to verbal?
“This article relates my experiences using playful child-centred research techniques whilst undertaking research with Congolese refugee children in Zambia. Such techniques generate rich and varied information, and often in unexpected ways.”

Brett Lashua: The arts of the remix: ethnography and rap
“In this paper I take note of ‘the arts of the remix’, in which techniques of producing hip-hop music with First Nations young people in Canada involved remixing both music and research practices.”

Will Gibson: Playing in the field: participant observation and the investigation of intersubjective knowledge in jazz improvisation
“I describe an approach to participant observation in which recordings of the researcher and research participants improvising musical performances together were used as ‘texts’ for framing discussions.”

Katrín Lund: Making mountains, producing narratives, or: ‘One day some poor sod will write their Ph.D. on this’
“This paper looks at ways of narrating mountaineering experiences in Scotland. What anthropologists can learn about their own ways of organising and abstracting their experiences from examining the material culture of mountaineers.”

>> front page of Anthropology Matters 2006, Vol 8 (2)

(LINKS UPDATED 31.10.22) In the field, anthropologists spent lots of time playing football or learning to dance: Could such enjoyable pastimes be considered a kind of work? Could play be used as a research technique? The new issue of Anthropology…

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