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Ethnographic study: Why the education system fails white working-class children

“Our politicians are so obsessed by race that they have forgotten the importance of class”, writes Daily Telegraph journalist Andrew Gimson and points to a new book by anthropologist Gillian Evans called Educational Failure and Working-Class White Children in Britain.

Evans conducted fieldwork in families of boys who were highly disruptive at school. Among other things, she documents the importance of class and institutional class prejudices.

In an essay in The Guardian (that provoced many reactions), she writes:

“It’s them and us, that’s ‘ow it’s always been, that’s ‘ow it’ll always be,” [informant] Anita laments. “We are the backbone of the nation and no one gives a fuck about us.” Reacting against dominance, then, working-class pride creates the means for dignity; common people fight back defensively with their own values and so being common entails an inverse snobbery.

The importance of this understanding from the point of view of education is as follows: if it is true, as I suggest it is, that the school, as a formal institution of the state, has come to represent and embody posh people’s values, and make legitimate their way of being in the world, then it is also true to say that common children, like Sharon’s younger daughter, will encounter the formal, “proper”, “posh” atmosphere of the school as if it were a foreign country.

(…) At school, and in life, middle-class people behave as though they are doing working-class people a favour, teaching them how to live a “proper” life and then wondering why it doesn’t work. They are not prepared for working-class people’s resistance to this process, a resistance born of a defiant pride about the value of common life.

Her fieldwork exploded several myths, f.ex. “Problem children at school are problem children in the home” or “Education is not highly rated amongst the working classes”.

During my research, the teachers in the underperforming primary school I studied didn’t focus on institutional failures and how those failures were affecting the chances of working-class children (…). The teachers were convinced that the most disruptive of the boys came from “problem families”, and that was all that mattered.

(…) To my surprise, I discovered that these boys (…) were “as good as gold” at home.

Under the strict discipline of his parents, Tom [one of the boys] was “under manners”. I also discovered that Tom’s sister, who was three years younger than him, was doing brilliantly at school; she was a star achiever and a “teacher’s pet”. This fact threw a spanner in the works and suggested that “problem families” cannot, in any simple way, be blamed for children’s educational failure.

Tom’s “problem” had to do with “street culture” (and we may add its lacking recognition by the middle class school system?):

[I]n seeking the freedom of the street (…) he encountered gangs of older boys who rule the closely-defined territories of the street with ruthless intimidation and violence. A young boy must, then, quickly learn to withstand intimidation and, in time, learn how to be intimidating and even to enjoy violence himself.

In this way, a young boy quickly develops a reputation of his own in relation to a particular “turf” or area and it is in the failing school, where adult authority is weak, that a boy like Tom gets to use the territory of the school as a relatively safe place to work out and to extend his influence among peers. His developing reputation makes it impossible for him to be “good” and to be seen to be doing well, learning effectively at school.

(…) [T]he more problems there are at home, the more likely a boy is to seek the freedom of the street and the company of peers to escape the stresses at home that working class or what they call “common” life places on his parents.

But why has she focused on white children, she was asked by black friends:

I explained that most of the attention in Britain is on the failure of black boys, but when the statistics are examined, white working-class boys are, in some boroughs, doing worst of all and in terms of national averages are faring only slightly better than black boys. This information caused surprise.

I suggested that part of the problem when we talk about black boys in Britain is that we tend to focus on their race, their ethnicity and their cultural background. (…) When we look at the failure of working-class white boys, however, what is emphasised about them is their social class position.

This means the opportunity is lost to consider whether those black and white boys who are failing are doing so because of reasons to do with them being similarly working class, and that perhaps the prejudice they experience at school is first and foremost an institutional class prejudice. By default, this means black people don’t have a social class position and white people don’t have an ethnic or cultural background, they are simply from the working, middle or upper classes.

>> read her first article “Common Ground” (The Guardian, 4.10.06)

>> read her second article “Bottom of their class” (The Guardian, 11.10.06)

These two essays provoked lots of comments and triggered a very interesting debate.

Patrick Butler sums up:

The article, after all, was about that most British and volatile of subjects: social class. The tone of many responses might be summarised thus: how dare a middle-class person write about working-class people?

People were offended that Evans’s reference to “common” people was “patronising” (though this was her Bermondsey subject Sharon’s classification, not hers); her reference to Bermondsey’s white working-class people as a “tribe” was deemed offensive (yet this was precisely the word her subjects used to describe themselves – as in “the last white tribe in London”).

It was felt demeaning that her subjects’ words were spelt phonetically – and yet what better way, in this context, to transmit the authentic, charismatic power of the spoken word (and, equally, how patronising, were we to have standardised the spelling throughout).

>> read the whole text in The Guardian

>> Class war. An edited selection of responses to Gillian Evans’s article

Gillian Evans answers: “I suggest that it is this admission of the feeling of “knowing best” that has most angered people”, and adds:

People’s difficulty with my work and the SocietyGuardian article, is that it breaks a taboo. Taboos exist to protect sacred ideals. In this case the sacred ideal is as follows: people in Britain are equal, the Empire is over: social class is dead. My work breaks that taboo by reminding people that social class is alive and well and deeply felt. Hence the strong reaction to it. People who break taboos must be punished because no one wants to confront the truth of what’s really going on beneath the ideal.

>> read her whole comment

"Our politicians are so obsessed by race that they have forgotten the importance of class", writes Daily Telegraph journalist Andrew Gimson and points to a new book by anthropologist Gillian Evans called Educational Failure and Working-Class White Children in Britain.…

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France: More and more muslims observe Ramadan

Ramadan is being increasingly observed by France’s Muslim community – but also for a few French non-Muslims, afp reports. “I do it sometimes to show my support for my Muslim friends,” said Lorie, a schoolgirl in the eastern suburb of Montreuil.

The trend is especially prevalent among young adults. 88 percent of all Muslim adults in the country fasted for Ramadan – and 94 percent of those aged under 30 did, according to a recent survey in a Catholic weekly, La Vie.

French anthropologist Malek Chebel, said that the surge in interest in Ramadan “is a phenomenon we’ve been seeing for 15 or so years”.

“Essentially, it’s a phenomenon of cultural identification – French Muslims have the feeling of belonging to all other Muslims around the world,” he said. The physical rigor of observing daily fasting for a month made Ramadan a sort of macho competition among boys and young men.

Abdel Rahman Dahmane, the president of the Council of Democratic Muslims in France says that Ramadan has become a month of identification for all a community.

>> read the whole story in the Middle East Times (link updated)

SEE ALSO RAMADAN-RELATED:

Blogger Anthrogal (yes, an anthropologist in France and Muslim) has done some Ramadan-blogging

On OhMyNews, Fiza Fatima Asar gives in My Ramadan. From Pakistan to California and back again a nice description:

Ramadans are really so special in Pakistan. It is a different feeling altogether — an entirely different world. All the restaurants are closed during the day and open right before sunset when people start pouring in for iftars at their favorite restaurants, the ones that stay open all night until five in the morning. (…) When we hear someone say “the city never sleeps” we really needed to visit Karachi during Ramadan to know what that phrase really meant. Boys and young men arrange night cricket matches out in the streets with lights fixed along the street light poles and the neighborhood collected to watch the matches. These matches end right before suhur during weekends.

And she explains:

Ramadan is not just about starving and fighting your thirst. Well, I knew that before too. But in the past I thought, fine, Ramadan is also about charity, about perseverance and about patience. This year I learned more. Ramadan is really about bringing one closer to the other. Ramadan is about sharing and missing people. Ramadan is about loving the other and thanking God they are there to be with you.

>> read the whole text in OhMyNews

On GlobalVoices we learn that during Ramadan there are much more beggars on the street. These people would like to exploit this holy month as much as possible and play on the high level of religious emotions of people during this special time, Tunisian blogger Zayed writes.

Ramadan is being increasingly observed by France's Muslim community - but also for a few French non-Muslims, afp reports. "I do it sometimes to show my support for my Muslim friends," said Lorie, a schoolgirl in the eastern suburb of…

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Multimedia Music Ethnography of Yodelling and Alphorn Blowing

A new interactive multimedia-website was launched about Swiss folk music including an Alphorn Tune Composer. On www.swissalpinemusic.ch you can read about alphorn music and yodelling, on alpine traditions and so on but the best thing is that you can listen to the music and then there is the Alphorn Tune Composer: It allows you to create your own tunes and send them via email. The Composer is made up of 17 notes – all the tones possible on the alphorn – as played by André Scheurer, music editor at Swiss Radio Swiss Classic.

The texts are written by music anthropologist Brigitte Bachmann-Geiser. She writes:

“The alphorn was dying out after 1800 because it was no longer necessary as a communication tool of the alpine cowherds. Increasingly, the individual dairies in the alpine chalets were replaced by big cooperative cheese-making companies in the villages. The whole tradition of alpine dairy production was breaking down; on many alpine pastures beef cows had replaced dairy cows.”

But recently the alphorn has undergone a revival and is now used in both classical and pop music, and jazz.

>> read more at Swissinfo

>> visit www.swissalpinemusic.ch

A new interactive multimedia-website was launched about Swiss folk music including an Alphorn Tune Composer. On www.swissalpinemusic.ch you can read about alphorn music and yodelling, on alpine traditions and so on but the best thing is that you can listen…

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An exhibition and a movie: The French, colonialism and the construction of “the other”

The first temporary exhibition at Paris’s Quai Branly museum takes an ambitious look at how the West constructs its ‘other’, Mary Stevens writes in her research blog about the reconfiguration of national identity in French museums:

In the permanent exhibition it is the aesthetic qualities of the objects on display that are foregrounded; what is missing is a critical reflection on how the western aesthetic criteria which visitors are encouraged to apply have developed over time. What makes us see something as art, and why do we now judge as art objects that in the past might have been seen either as silent witnesses to social customs or indeed as curiosities? These are the questions that D’un regard l’Autre sets out to explore.

(…)

[H]airy savages carved in wood bear witness to Renaissance man’s desire to position his superior self firmly on the side of culture against nature. However, it is interesting to be reminded that in this period real-live people from other cultures were sufficiently rare in Western Europe to command wonder and a degree of respect. A life-size portrait of an Inuit couple, painted during their visit to the Danish court in the late seventeenth century provides a subtle reminder: the names of these two travellers – Pock and Kieperoch – were carefully noted by the artist. It was only in the nineteenth century that their successors would become ‘types’, documented and classified for the new sciences of anthropology and phrenology and displayed for public instruction in the new museums.

>> read the whole review of the exhibition

See also earlier on antropologi.info: Indigenous? Non-Western? Primitive? The Paris Museum Controversy

Mary Stevens has blogged a lot about multiculturalism and nationalism in France. One of the interesting recent posts is about the integration of foreign students: What image of France is presented in the introductory courses about French society?

(…) Day 2: the gastronomic map of France (lots of camembert and choucroute – not a lot of couscous and brik) place names (all Greek, Roman, Celtic or religious), family names (every single one of them belonging to the Français de souche, whoever they might be) and – to top it all – “languages, ethnic groups and cultures”. Aside from the fact that I thought ‘ethnic’ was a taboo word in French, only regional minorities get a mention and we are told authoritatively that cultural diversity has been in decline since the Revolution, or at least until a ‘recent’ upsurge in regional movements (e.g. Coriscan, Breton, Basque).

So here we have it: ‘le mythe national’ condensed into two short days. Above all the course seeks to inculcate a closed, exclusive definition of national identity that fails to take into account any of the demographic developments of the last 200 years and indeed before.

If anyone was ever in any doubt that there is still work to be done in France in rethinking the ‘collective memory’ – or what I prefer to call the collective or social ‘imaginary’ (the latter after the philosopher Charles Taylor) – then here (with apologies for the poor quality) is the proof.

>> read the whole post: Integrating the elite: peddling national mythology

Related topics are touched in the French movie Indigènes. Mary Stevens explains:

The film tells the story of a group of North African soldiers, fighting on French soil for the liberation of France from 1943. It is explicitly geared toward the re-evaluation of national collective memory; its aim is to address the way these soldiers, who played a major role in the Liberation have been written out of (the Gaullist account) of history. And it looks set to have a major impact.

>> read the whole post: The « Indigènes » effect ?

Anthropologist Cicilie Fagerlid is back in Paris and has also seen the film:

Indigene is the shameful juridical assignation used for Muslims in French North Africa. Muslims, being indigenes and not citizens like the Christians and Jews, didn’t enjoy equal rights until 1945. It’s incredible, isn’t it, in the country priding itself with the slogan libérté, égalité, fraternité?

>> read the whole review

The first temporary exhibition at Paris’s Quai Branly museum takes an ambitious look at how the West constructs its ‘other’, Mary Stevens writes in her research blog about the reconfiguration of national identity in French museums:

In the permanent exhibition…

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Qualitative Migration Research in Europe: New issue of “Forum Qualitative Social Research”

How to do research on migration? Lots of interesting papers in the recent issue of the multilingual and interdisciplinary Open Access journal Forum: Qualitative Social Research.

“Qualitative Migration Research in Contemporary Europe” is the topic of the recent issue, and most papers deal with methodolocial questions

Maren Borkert and Carla De Tona for example write about “Issues Faced by Young European Researchers in Migration and Ethnic Studies” , especially when rearching abroad as “academic migrants”:

The term academic migrant refers to European academics, like the authors of this paper, who become more and more transnational while researching migration in Europe. As migrant European researchers we move to and settle in third-countries, often having to speak a new language, and learning to adjust to new social and cultural normativities, feeling the migration’s uprooting and re-grounding and, in short, becoming “foreigners” as the people who participate to our researches (who may or may not be from our home country). Although we may not call ourselves migrants, we end up experiencing migration in similar ways to the participants of our research.

The emerging issue for us is how does this particular transnational aspect of our positionality (of researching migrants as academic migrants) influence us as researchers, the dynamics we establish with our participants and the ultimate shape of our research?

>> read the whole paper

Similar questions are raised in the papers Cultural “Insiders” and the Issue of Positionality in Qualitative Migration Research: Moving “Across” and Moving “Along” Researcher-Participant Divides by Deianira Ganga & Sam Scott and Doing Qualitative Research with Migrants as a Native Citizen: Reflections from Spain) by Alberto Martín Pérez.

There are also case studies about Somali migrants in Finland, Greek musicians in Germany, cultural capital during migration and Reflecting Upon Interculturality in Ethnographic Filmmaking where Laura Catalán Eraso claims that ethnographic film is still very much an under-utilised research technique. Films may illuminate the “intercultural” dynamics between minority (participant) and majority (researcher) and challenge the traditional power relations between the researcher and his/her “subjects”:

[T]he filmmaker(s) will loose authority in the film and that authority will tend to get decentralised and shared among subjects. Ways of doing this include allowing subjects to: manage the camera; choose the shots that are used: and, give feedback on the end results. These techniques, not dissimilar to those advocated in other forms of qualitative enquiry, will hopefully create new possibilities for ethnographic film by allowing space for greater equality between, and more reflection by, researchers and participants.

In the introduction, the editors remind us of that…

migration is not a new phenomenon: human beings have always been moving to other places, other regions and other countries. What is “new” is the relatively recent invention and creation of national borders and the “imagining” of nation-states (ANDERSON, 1983, pp.5-7). These ideological processes make migration “international” and thus problematise the natural behaviour of people attempting to improve their everyday lives.

>> overview over all articles in Forum: Qualitative Social Research on Qualitative Migration Research in Europe

How to do research on migration? Lots of interesting papers in the recent issue of the multilingual and interdisciplinary Open Access journal Forum: Qualitative Social Research.

"Qualitative Migration Research in Contemporary Europe" is the topic of the recent issue, and…

Read more