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"Voices": Anthropologist publishes e-book about Palestinian women

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Voices: Palestinian Women Narrate Displacement is a collection of oral histories recorded by Beirut-based anthropologist and oral historian Rosemary Sayigh. It was published as e-book, devoted to men and women living in Gaza, the West Bank, Jerusalem and Israel. It allows readers to not only read the texts and see the pictures but also to hear the stories in the speakers’ own voices, The Daily Star Lebanon reports.

“Because “Voices” seizes on the advantages of technology, the book transcends precisely those borders so troublesome to the Palestinian condition”, Louisa Ajami writes in her review:

Sayigh became one of the few women to enter the Palestinian camps in Lebanon and she devoted her anthropological expertise to writing about the Palestinian diaspora. Much of her field work has centered on women and children, and she writes of the lives of rural peasant women and their more educated urban sisters with equal attention and flair.

Sayigh writes in the unobtrusive, objective style of an anthropologist, but she also interjects her personal impressions. She gives readers a sense of location, ambience and familiarity. (…) With her detached yet intense approach to recording their stories, Rosemary Sayigh renders her Palestinian subjects’ struggles less abstract and more human.

But there is one drawback for those who don’t speak Arabic:

Each narration is preceded by a short introduction in English. The opening lines of each interview are also transcribed in English, but the full interviews have been left in the original Arabic, as has the audio footage. For non-Arabic speakers, this leaves the bulk of the stories out of reach.

The review in The Daily Star Lebanon is no longer online.

>> read the e-book “Voices: Palestinian Women Narrate Displacement” (Link updated 24.7.2024)

More about / by Rosemary Sayigh

Interview with Rosemary Sayigh (The Jerusalem Times / palestine-family.net)

Rosemary Sayigh: No Work, No Space, No Future: Palestinian Refugees in Lebanon (Middle East International, 10 August 2001)

Rosemary Sayigh: Dis/Solving the “Refugee Problem” (Middle East Report 207 – Summer 1998)

SEE ALSO:

Anthropologists on the Israel-Lebanon conflict

The Future of Anthropology: “We ought to build our own mass media”

Open Source Anthropology : Are anthropologists serious about sharing knowledge?

2006 – The Year of Open Access Anthropology? 2005 was the year anthropology finally became visible on the internet. 2006 was the year of a more public, political and open access anthropology?

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Voices: Palestinian Women Narrate Displacement is a collection of oral histories recorded by Beirut-based anthropologist and oral historian Rosemary Sayigh. It was published as e-book, devoted to men and women living in Gaza, the West Bank, Jerusalem and Israel. It…

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New York Times reviews Talal Asad’s “On Suicide Bombing”

Some weeks ago I wrote a few lines about the book On Suicide Bombing by anthropologist Talal Asad. Among other things, he questions our notions about legitimate violence.

On Sunday, the book was reviewed in the New York Times:

Asad (…) takes aim less at the Bush administration than at the rest of us, and at what he sees as our unspoken complicity in “some kinds of cruelty as opposed to others.” He hopes, he writes, to “disturb the reader sufficiently” by showing the hypocrisy of rules that permit murderous conduct by states but deny it to nonstate actors. And he is angered by scholars, theorists and journalists who don’t speak Arabic and have never set foot in the Middle East, yet sound off about why suicide bombers do what they do. He is understandably aghast that the American public has expressed so little shock over the bloodshed inflicted in its name.

And by the end of the book, his rage has overtaken him. The Bush administration’s actions in the Middle East have left him so disgusted that he declares simply, “It seems to me that there is no moral difference between the horror inflicted by state armies (especially if those armies belong to powerful states that are unaccountable to international law) and the horror inflicted by insurgents.”

It is hard to answer Asad’s argument without drifting into the distinctions he attempts to demolish. For instance, he cites the political philosopher Michael Walzer’s definition of the “peculiar evil of terrorism,” which, according to Walzer, is “not only the killing of innocent people but also the intrusion of fear into everyday life, the violation of private purposes, the insecurity of public spaces, the endless coerciveness of precaution.” Asad then asks why the United States’ war in Iraq and the Israeli cluster bombs in Lebanon do not earn the same condemnation as bombs wielded by terrorists. But if you continue to believe (as I do) that there is a moral difference between setting out to destroy as many civilians as possible and killing civilians unintentionally and reluctantly in pursuit of a military objective, you will indeed find “On Suicide Bombing” disturbing, if not always in the way he intends.

Nonetheless, Asad’s book is valuable because the legal distinctions he is challenging are especially vulnerable now.

The review is part of the article Our War on Terror.

As Savage Minds already has noted, Columbia University Press has published a mp3-interview with Talal Asad. For more information on the book and Talal Asad see my earlier entry Anthropological perspectives on suicide bombing

More information will follow. I’m currently reading this book.

Some weeks ago I wrote a few lines about the book On Suicide Bombing by anthropologist Talal Asad. Among other things, he questions our notions about legitimate violence.

On Sunday, the book was reviewed in the New York Times:

Asad (...) takes…

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Oxford to Host First Conference on Visual Anthropology of Iran

The first Interdisciplinary Conference on the Visual Anthropology of Iran entitled “Images of Culture, Culture of Images” is to be held in Oxford University in September 2007, according to a press release.

The two-day conference on the Visual Anthropology of Iran, organized by the Society for Iranian Anthropology (SIRA), is the very first of its kind. The participants will investigate on different issues such as nomadism, rituals and ceremonies, war, gender, aesthetics and language in Iran and its relationship with the other countries.

The SIRA says in its announcement:

Since the 1990s, there has been a growing interest in Iranian cinema which is now internationally recognized as one of the most original and prolific cinemas of all times and whose aesthetics and culture have in the twenty-first century increasingly appealed to a mass audience. The study of visual anthropology is motivated by the belief that one can understand the culture of some people by looking at visual symbols such as gestures, rituals, ceremonies and works of art.

>> call for papers “Images of Culture- Culture of Images”

SEE ALSO:

Photography as research tool: More engaged Kurdish anthropology

Anthropologist: Iranian Nomads Constitute Cultural Treasure

Photos and songs from fieldwork in Siberia, reflections on ethnographic photographing

Anthropological Films online

The first Interdisciplinary Conference on the Visual Anthropology of Iran entitled “Images of Culture, Culture of Images” is to be held in Oxford University in September 2007, according to a press release.

The two-day conference on the Visual Anthropology of Iran,…

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Photography as research tool: More engaged Kurdish anthropology

Visual anthropologist Kameel Ahmady has published several new articles at KurdishMedia.com. It looks like he is about to publish a whole book there. It started four weeks ago with part one of Media consumption, conformity and resistance: A visual ethnography of youth culture in Iranian Kurdistan, today we can read part five.

In part three, he tells us more about the way he uses photography to interact with his informants and discuss (tricky) gender issues:

Young women are particularly voiceless, and marginalised or excluded altogether from public spaces. Therefore, photography, and particularly the participatory methods which I incorporated with photography, became a way for the young people this research deals with to reflect on public space in a new way which they may not have done before.

It also was an alternate means of them expressing themselves which was less intimidating and more accessible than simply interviews, which they might not relate to. It gave girls especially a chance to participate in and narrate public space from which they feel excluded. The young adults were encouraged to develop their own themes from what they felt was relevant.

These pictures, taken by young people, have then been exhibited at the Town hall:

These images, about themes relating to community and public space, now on display in public space, revealed understandings of local culture – those of the children – which had previously been obscured from the adult dominated public domain. This allowed the viewers to see their surroundings in new ways, and therefore opened up dialogue between different segments of the population.

From the perspective of young people, the ‘ethnographic meanings’ of the photographs contribute to an understanding of youth culture in Mahabad, not only for me as the ethnographer, but for the wider community. Collier and Collier (1986) have referred to this approach as a specific fieldwork method, ‘photo-essays’: “When the photographic essay has been read by the native, it can become a meaningful and authentic part of the anthropologist’s field notes” (1986:108). Such was the experience of helping to organise and observing the exhibition.

For example, one attendee wrote in the Guest Book for the exhibition:

“This was very interesting. It showed me a different way of seeing the town; the streets we cross every day have a different meaning. It is interesting to see the different vision of Mahabad among the young people. For me, poverty is the thing that comes out most, how they view this theme”

Part four and part five provide more details about some photo essays.

And a few days ago, Kameel Ahmady wrote about the problems of representation at the Kurdish Cultural Heritage Project at a museum in London:

The very admirable idea behind this was to give Kurds in London a sense of belonging and a chance to express their identity, and to make people feel they have been given the chance to contribute to the wider multicultural society in practice. Through the course of this project, some of the community members realised that participation of Kurds was through only a small and select group, as the museum chose to work with one particular community centre and exclude the others. Therefore, even though the aims were good and worthwhile ones which for sure every Kurdish person would support, the vast majority were not given the opportunity to do this or in fact had any knowledge of the work at the Museum

.

>> overview over Kameel Ahmady’s texts at KurdishMedia.com

>> Kameel Ahmady’s homepage with image gallery and several papers

SEE ALSO:

Visual ethnography and Kurdish anthropology by Kameel Ahmady

“We want children to be their own ethnographers”

Ethnographic Flickr

Photo Ethnography Blog by Karen Nakamura

Visual anthropologist Kameel Ahmady has published several new articles at KurdishMedia.com. It looks like he is about to publish a whole book there. It started four weeks ago with part one of Media consumption, conformity and resistance: A visual…

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Lila Abu-Lughod: It’s time to give up the Western obsession with veiled Muslim women

(LINKS UPDATED 2.1.2023) (via Alexandre Enkerli at Disparate) “Excellent”, a reader comments Lila Abu-Lughod‘s article: The Muslim woman. The power of images and the danger of pity and adds:

Why do Anthropologists so seldom speak up when it’s more important than ever to understand and to respect each other instead of waging cultural wars without even knowing at whom the bombs are aiming. Anthropologists should have much more interesting things to tell than our politicians.

In this article, Lila Abu-Lughod critizes the images of muslim women that are constructed in the “West” especially after 9/11. “We have to resist the reductive interpretation of veiling as the quintessential sign of women’s unfreedom”, she writes:

Isn’t it a gross violation of women’s own understandings of what they are doing to simply denounce the burqa as a medieval or patriarchal imposition? Second, we shouldn’t reduce the diverse situations and attitudes of millions of Muslim women to a single item of clothing. Perhaps it is time to give up the black and white Western obsession with the veil and focus on some serious issues that feminists and others concerned with women’s lives should indeed be concerned with.

The West seems to be obsessed with this image of the “oppressed muslim women”. Why don’t we find images in Western media of Jordan’s national women’s basketball team in shorts or the Queen dining with a group of other cosmopolitan women, European and Jordanian, and you can’t tell the difference. Why are these not on the cover of the New York Times Magazine, representing Jordan, instead of the shrouded woman, the anthropologist wonders.

There are several problems with these images of veiled women, she explains:

First, they make it hard to think about the Muslim world without thinking about women, creating a seemingly huge divide between “us” and “them” based on the treatment or positions of women. This prevents us from thinking about the connections between our various parts of the world, helping setting up a civilizational divide.

Second, they make it hard to appreciate the variety of women’s lives across the Muslim or Middle Eastern worlds – differences of time and place and differences of class and region.

Third, they even make it hard for us to appreciate that veiling itself is a complex practice.

We should see these issues as complex as we see women issues in the “West”:

Even if we are critical of the treatment of women in our own societies in Europe or the United States, whether we talk about the glass ceiling that keeps women professionals from rising to the top, the system that keeps so many women-headed households below the poverty line, the high incidence of rape and sexual harassment, or even the exploitation of women in advertising, we do not see this as reflective of the oppressiveness of our culture or a reason to condemn Christianity – the dominant religious tradition. We know such things have complicated causes and we know that some of us, at least, are working to change things.

One of the most dangerous functions of these images of Muslim women is that they enable us to imagine that these women need rescuing by us or by our governments:

Like the missionaries, liberal feminists feel the need to speak for and on behalf of Afghan or other Muslim women in a language of women’s rights or human rights. They see themselves as an enlightened group with the vision and freedom to help suffering women elsewhere to receive their rights, to rescue them from their men or from their oppressive religious traditions.
(…)
Projects to save other women, of whatever kind, depend on and reinforce Westerners’ sense of superiority. They also smack of a form of patronizing arrogance that, as an anthropologist who is sensitive to other ways of living, makes me feel uncomfortable. I’ve spent lots of time with different groups of Muslim women and know something about how they see themselves, how they respect themselves, and how I admire and love them as complex and resourceful women.

Therefore, veiling should not be confused with a lack of agency or even traditionalism:

As I have argued in Veiled Sentiments, my ethnography of a Bedouin community in Egypt in the late 1970s and 1980s, pulling the black headcloth over the face in front of older respected men is considered a voluntary act by women who are deeply committed to being moral and have a sense of honour tied to family.
(…)
The modern Islamic modest dress that many educated women across the Muslim world have started to wear since the late 1970s now both publicly marks piety and can be read as a sign of educated urban sophistication, a sort of modernity. What many people in the West don’t realize is that the women in Egypt who took up this new form of headcovering, and sometimes even covering their faces, were university students – especially women studying to become medical doctors and engineers.

People are different. We should consider being respectful of other routes towards social change, she writes:

Is it impossible to ask whether there can be a liberation that is Islamic? This idea is being explored by many women, like those in Iran, who call themselves Islamic feminists. And beyond this, is liberation or freedom even a goal for which all women or people strive? Are emancipation, equality, and rights part of a universal language? Might other desires be more meaningful for different groups of people? Such as living in close families? Such as living in a godly way? Such as living without war or violence?

>> read the whole article in Eurozine

By the way, here in Norway, at the University in Oslo, the board of the union of Pakistani students now consists exclusively of girls women.

Mariam Javed, contact person at the student union, says:

– We generally see more involvement from the Norwegian-Pakistani girls women than from the guys men. The media often portray us as oppressed and dependent, but we are both talented and committed. That many of us wear hijabs signals that it is fully possible to be a Muslim girl women and still be involved in student activities.

– This may contribute to get rid of a lot of people’s idea of the Norwegian-Pakistani as a mental fanatic who subjugates his woman, says Ambreen Pervez, leader of Pakistansk Studentersamfunn (PSS), the union of Pakistani students in Oslo.

>> read the whole story in the student paper Universitas

UPDATE: Anthrpologist Daniel Martin Varisco was interviewed by the BBC about the history of veiling. Among other things he said that among the Islamized Berber Tuareg of Saharan Africa it was the men rather than women who veiled their faces to maintain social distance.

>> more on Tabsir: Speaking of Veiling (BBC Style)

SEE ALSO:

Interview with Lila Abu-Lughod on women and Islam in the wake of the American war in Afghanistan (Asiasource)

New book by Lila Abu-Lughod: The Politics of Television in Egypt

Wikipedia on Islamic feminism

(LINKS UPDATED 2.1.2023) (via Alexandre Enkerli at Disparate) "Excellent", a reader comments Lila Abu-Lughod's article: The Muslim woman. The power of images and the danger of pity and adds:

Why do Anthropologists so seldom speak up when it's more important than…

Read more